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Our technology allows you to watch movies, sports, news, business and many more TV channels 24/7. If you have a mobile internet plan, you can even watch TV on your laptop wherever in the world you go! We have TV channels from all over the world, including many popular US channels! Read more…

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I share my personal experiences in Film, Tv, Theatre, making films, castings, with SPECIFIC examples, so that You can learn from the lessons I learnt over 20 years and Soar to Success with my Infallible Tips for Success and Your very own SECRET WEAPON.

You will learn about The Casting Process, The Industry, Theatre, Television, Film and Film Making, Commercials and Creative Projects. Most importantly how to have it All, maintaining a healthy life balance.

I want You to avoid the Pitfalls and all the Trial and Error. I faced the confronting task of sharing my battles with Anxiety and Chronic Fatigue Syndrome for Your Benefit. I did this to give Creative Souls the tools to build a STRONG SENSE OF SELF and to CREATE Your Career and Life EXACTLY as YOU WANT IT, using YOUR SECRET WEAPON.

Whatever you do, you Must Read THE SECRET OF YOUR SUCCESS AS AN ACTOR! That is why I priced it at only $9.95 for over 100 pages.

Before you do anything else read this E-B00k! THE SECRET OF YOUR SUCCESS AS AN ACTOR will inspire you to reach for your Dream to be an Actor and have the life you Love! After all, Life is not a Rehearsal!

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I’m glad I found your link. This will be a great help for me since I’m starting a community theater in my area.

Good to hear, download my ebook and keep in touch with the blog… Read more…

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I remember back in my NYU days there were several key mistakes novice directors made when it came to the actor-director relationship:

- Treating your actors like demigods. To this day I’ve never seen an actor lift a mountain or part a large body of water. If your actor sucks they should be fired, immediately, without an apology. Unless the actor’s name helps you raise money for a project, no single person in your cast or crew should be viewed as indispensable.

- Talked too much about what your project/script means rather than your material vision of the project. Maybe this is the most common mistake of directors. Directors love talking about themes and metaphors but actors can’t work with themes and metaphors. You’re not writing an English paper; you’re shooting a movie or producing play if you’re in theater. Actors need a very special kind of “actorspeak” that I’ve learned to develop over the years.

- Working with amateurs You are not rich. You are not famous. You cannot hrie a professional. WRONG! The honest to god truth is that anybody can hire professional actors. No one has to settle for casting their step-sister. The problem is approach. Hiring professionals requires certain procedures and etiquette. I’ll cover how you can better approach professionals in a minute.

- Spent too little time rehearsing or, more commonly, no rehearsing. So you spend a few minutes “warming up” then you start shooting. Big novice mistake! Yes, this works In TV land where actors get merely a week (or less) to read, memorize, and rehearse a 50 – 60 page teleplay. But thankfully you don’t work in television (if you do you have my sympathies!).

Actors… Read more…

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My goal in life is to help as many people as I can have professional acting careers. If you want to be an actor, watch these free videos where I talk about all the things it takes to become a professional actor… and it wont cost you a thing.

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In compliance with FTC rulings, we cannot guarantee that these results are typical. Our best recommendation is that you try this program for yourself. Remember, your purchase is fully protected by our 60-day money back guarantee. If for whatever reason this program does not meet your expectations during the 60-day protection period, you can simply email for a full, no-questions-asked refund. Read more…

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“Get a SOLID Acting Foundation at Home that you can build on FOREVER, in your own time, during Acting Classes and while working as a Professional Actor”

I have been coaching actors for the last twenty years and one thing that I know is Most acting courses are aimed at the masses, they have to be, to be economically viable. Fifteen, twenty, thirty in a class, maybe three hours per week, if you’re lucky. You are one of the mob.

Don’t get me wrong, there is nothing wrong with acting classes, I encourage them. BUT, the TRUTH is there is not enough time in 99% of courses for you to truly reach your full potential, to get the attention that you need. This foundation Home Acting Course, the ‘Carne Method’, gives you the competitive edge, an unfair advantage over the others.

I have met so many actors who have done classes for years and NEVER solidified their own way of working. NEVER got the foundation they really needed.

If you have been involved in acting classes in the past ask yourself these questions. “Do I really have a solid acting foundation that I fully understand, that I use and that works well for me? Have my past classes really pushed me towards gaining that complete foundation with the end in sight? Is it just class after class, year after year? How many more classes do I have to do before I have a solid foundation that works for me? One… Read more…

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Unfortunately, most people graduate and find that the big studios have no interest in their films and so they are forced to learn things about how to make a movie that they were never taught in film schools. They find that most independent films are created with a shoestring budget, and they are not connected to any major film studios.

If you really want to know how to make a film with a low budget then you need to educate yourself on the process of low budget filmmaking. The best way to do this is to learn from those who have been there, done that.

You will learn more from independent filmmakers then you will in any film production classes. By Indy filmmakers I mean those who work outside the mainstream of the Hollywood film industry. The kind that have passion, creativity, and a relentless drive to get their movies made with miniscule resources. The kind that will do whatever it takes to get their films made.

If you are looking to learn how to make a movie for film festivals like Sundance, Cannes, Santa Barbara, Toronto, Seattle or The Telluride Film Festival then you need to read further.

If there is anyone who can identify with a person like you, it is me. You want to make an independent film but you don’t have a lot of money. You cannot afford to go to one of the expensive film schools, so you self-educate yourself by purchasing a film production book or two on the internet instead.

If only you had been born the child of well-connected Hollywood power… Read more…

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